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Sean P. Harrington > Theatre Blog
Thoughts and adventures in theatre land, from a guy who straddles the line between tech and performance.
My Fair Lady - After Opening
I've never really liked My Fair Lady. Sure, I loved Audrey & Rex in the movie, but I've seen SOOOO many poor productions over the years, I just cringe somewhat when it's mentioned.
 
Given that, Fred had more of a hurdle to cross in getting me to do the lights for SVCAC's production than he might have known. But he had the deck stacked in his favor: I love working at Simi and have worked before with most of the cast; I wanted to familiarize myself with the SVCAC lighting setup (controls and instruments); and I needed a part-time job. The one problem Fred had was that he gave me less than two weeks to design, hang, and program it.
 
The first task was to assess the house hang and weed out the circuits that I couldn't touch. It took me two days to get that ironed out, peppered with input from both Jackson Miller and Lacey Stewart. After that, I had to determine the roster of scenes that had to be achieved. Half of the scenes take place in Higgins' study, at various times of day. One quarter of the scenes take place outside on London streets, both night and day. And the final quarter of scenes take place in more rural locations, like Ascot Park or in Mrs. Higgins' garden.
 
One thing mentioned was the need to get "up under" the brims of many of the hats used by the costumer. To accomplish this, we used a set of six Par 16 units mounted at the apron, using a green gel for "bounce light" from the grass.
 
All scenes were mapped quickly, and I had developed a fairly "deep" set of cues, but the minimalist set design required that I help further establish the local. To do this, I used the intelligent fixtures with a window gobo, positioned at various times of the day (and with different gel colors) to suggest different sun/moon positions. In fact, in one long scene (where Higgins & Pickering convince Eliza to agree to the project), I have the window light slowly creep down the wall over the course of ten minutes.
 
I'd have liked use of the second intel, but it still has overheating issues. Hopefully, it will be fixed before West Side Story, as it will undoubtedly be needed there.
 
I can't wait to see the finished product in front of an audience this coming weekend.
Added Audrey II Rental Pics
So yesterday, we pulled the Audrey II puppets out of storage to assess the damage from the Camarillo run. Mind you, the run ended in November, so the puppets have been sitting untouched, sealed in a bag for six months.
 
When I picked up Pod 4 from Camarillo, four pieces of frame fell out from inside the plant. While the framing is not as thick on the back "jowels" it is still VERY difficult to cause the type of damage inflicted there. It seems like someone was either REALLY frustrated with it, or REALLY careless.
 
So I lined up the place where the pieces were broken and determined that it, and the other minor wear-and-tear items could indeed be completed before an anticipated 6/21 pick-up rental for a local group. Cost will be several hundred dollars, as I will have to re-work that part of the jowel with epoxy and foam, and some re-sewing will need to be done in that area. While I had originally designed the skin to be removed, the delays in delivering the original plant forced me to cut some corners.
MFL - Night One
Sat through the first act run through (with orchestra) of Simi's MFL. Not bad for a stumble through, but as David Ralphe commented after the rehearsal, very few people were attached to the role and to the moment and to their make-believe surroundings. Will Shupe's set will be VERY representational and suggested (rather than practical), so the actors will have to imagine it and interact with it for us.
 
That said, my job isn't going to be too tough. I have a nice mix of daylight and evening and indoor and outdoor scenes. The suggestion of a window gobo in the intel fixture that "climbs the wall" as the day progresses should be just enough, to achieve Higgins' office/study, and the rest is basically specialized washes to indicate the time of day.
 
I'll likely want to use the mini P16's at the apron as foot/bounce lights, primarily to get up underneath the smattering of BIG hats the cast will be wearing.
 
Site Rework
The content from the old SPHARRINGTON.COM was becoming too difficult to update in the old Dreamweaver format, so I decided to rework the whole thing in SharePoint. Yay. Easy peasy.
 
I also added this blog, trying to get myself back in the habit of journaling this process.

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